Zwolle: Waanders, 2003. Leeflang, Huigen, et al. Citation Thompson, Wendy. In the picture he has included the portrait of two (presumably) travelling companions who are looping up at the statue of Hercules in awe. Students Hercules Farnese, Hendrick Goltzius, 1617, engraving, h 419mm w 303mm Goltziuss particular fascination for this Antique work of art finds expression in the unusually low vantage point and in the admiring gazes of the two viewers, these most likely being the artist himself and his son-in-law Jacob Matham. Their position helps to convey the scale and physicality of the sculpture, and their attentive viewing highlights its importance. To license this image or for more information please contact our Licensing team. Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. Hercules en Deanira From related movement. Please enter your email address. Hendrick Goltzius (15581617). In Heilbrunn Timeline of Art History. The engraving by Goltzius, unusual for its viewpoint and its inclusion of observers, was one of a long series that had spread the fame of the statue, including one by Jacob Bos (41.72[2.63]) that provides the more common front view of the Hercules. Like his illustrious predecessors Albrecht Drer and Lucas van Leyden, Goltzius expressed his artistic ambitions in scenes from the Bible, but he also illustrated episodes from classical mythology, often choosing erotic subjects. Donating Artwork, Planned Giving All rights reserved. They are often identified as Goltzius himself and his stepson Jacob Matham. Log In Oops. (42.1 x 30.4 cm), Classification: Hendrick Goltzius, or Hendrik, (German: [gltsis]; Dutch: [ltsis]; January or February 1558 - 1 January 1617) was a German-born Dutch printmaker, draftsman, and painter.He was the leading Dutch engraver of the early Baroque period, or Northern Mannerism, lauded for his sophisticated technique, technical mastership and "exuberance" of his compositions. close. More information? The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. Goltzius studied these statues and evidently prepared the engravings during a visit to Italy in 1590/91. He was the number-one Dutch engraver of the early Baroque period, noted for his sophisticated technique and the exuberance of his compositions. South America. The sculpture has been reassembled and restored by degrees. Goltzius and his students and followers represent the last heroic age of engraving. As the line winds around the forms, expanding and contracting, it gives great sculptural force to the curves and bulges of the hero's body. Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. New York: The Metropolitan Museum of Art, 2000. Goltzius is seen as a transitionals artist between the Netherlands mannerist style of the 16th century and the Netherlands realism of the 17th century. The sculpture bears the incised signature of Glykon, in Greek. The Farnese Hercules From same collection. The heroically-scaled Hercules is one of the most famous sculptures of antiquity,[4] and has fixed the image of the mythic hero in the European imagination. 10, 11 hours ago - 70 works Faculty and Instructors Hendrick Goltzius, The Farnese Hercules, c. 1592-1617, engraving on laid paper, 42.4 x 30.8 cm; plate: 41.6 x 30 cm, National Gallery of Canada. Reset it, Dont have an account yet? Australia, New Guinea, and New Zealand, Europe To refer to this object please use the following persistent URL: Do you have a remark or extra information on this object? The statue is shown in the 1954 film Journey to Italy along with the Farnese Bull. In later drawings and prints, Goltzius repeatedly tried to outdo earlier masters like Albrecht Drer by creating new works in their techniques and styles. A cookie is a small text file which will be saved on your computer or mobile device when you visit our website. Free events for everyone, plus special programs for students, families, and more! 1592, dated 1617 Medium: Engraving Dimensions: sheet: 16 9/16 x 11 15/16 in. 492 70, Hercules FarneseDrie antieke beelden te Rome (series title). Brooke Shields! Upcoming His superb engravings. Hear about collections, exhibitions, courses and events from the V&A and ways you can support us. Orenstein, Nadine. Hendrick Goltzius (15581617). In, The Challenge of the Pierides, from Ovid's Metamorphosis (Book V: 294-678), The Feast of the Gods at the Marriage of Cupid and Psyche, The Fall of Phaeton, from Ovid's "Metamorphoses", Northern Mannerism in the Early Sixteenth Century, Prague during the Rule of Rudolf II (15831612), Burgundian Netherlands: Court Life and Patronage, Dutch and Flemish Artists in Rome, 15001600, The Holy Roman Empire and the Habsburgs, 14001600, Mannerism: Bronzino (15031572) and his Contemporaries, Peter Paul Rubens (15771640) and Anthony van Dyck (15991641): Paintings, Peter Paul Rubens (15771640) and Anthony van Dyck (15991641): Works on Paper, Poets, Lovers, and Heroes in Italian Mythological Prints, The Printed Image in the West: History and Techniques. As the burin is pushed at an acute angle over the copper printing plate, it slices and lifts a sliver of metal. Asia and Pacific Ancient copies of the statue include: After rediscovery of the Farnese Hercules, copies appeared in sixteenth and eighteenth-century gardens throughout Europe. (), 2018-2021 Regents of the University of Michigan |. Visit our Instagram page, University Privacy Perhaps, as was suggested by the eighteenth-century Dutch artist and collector Cornelis Ploos van Amstel, they are a self-portrait and a portrait of the artist's stepson Jacob Matham, who was also an engraver.The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. [5] Goethe, in his Italian Journey, recounts his differing impressions upon seeing the Hercules with each set of legs, however, marvelling at the clear superiority of the original ones. Visit our YouTube page Headless statue at Izmit Archaeology and Ethnography Museum. Color code: #DDD8D0 Color code: #BEB8B0 Color code: #F6F4F0 Color code: #918A84 Color code: #68615B Color code: #403C37. North America Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more, Link - Hercules Farnese in Napels - Museum Boijmans Van Beuningen - http://collectie.boijmans.nl/en/disclaimer/. It depicts a muscular, yet weary, Hercules leaning on his club, which has the skin of the Nemean lion draped over it. Sign Up Use your arrow keys to navigate the tabs below, and your tab key to choose an item, Title: Read our cookie policy. Hercules Farnese Een groot beeld van Hercules, op de rug gezien, leunend op zijn knots. Check here for current hours and more. Receive the Museums latest news and information. The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Coordinates: .mw-parser-output .geo-default,.mw-parser-output .geo-dms,.mw-parser-output .geo-dec{display:inline}.mw-parser-output .geo-nondefault,.mw-parser-output .geo-multi-punct{display:none}.mw-parser-output .longitude,.mw-parser-output .latitude{white-space:nowrap}405112N 141502E / 40.8534N 14.2505E / 40.8534; 14.2505. ca. It forms a series with two other engravings of the Apollo Belvedere and the Emperor Commodus as Hercules. Goltzius had a masterful command of the burin. Tot 1787 stond dit beeld in het Palazzo Farnese, vandaar de benaming Hercules Farnese. Signup or Login Donating Artwork Later (in 1591) Goltzius recorded the less-common rear view, in a bravura engraving (illustration, right), which emphasizes the already exaggerated muscular form with swelling and tapering lines that flow over the contours. Cum privilig./Sa.Ca.M., caption: Domito triformiorbis Hercules. Wealthy collectors were able to afford any one of numerous bronze replicas, created in various sizes for table-top display. His superb engravings were much sought-after in the young Dutch Republic and further a. Hendrik Goltzius. Save the artwork in any of your exhibitions or create a new one. If you have comments or questions about this object record, please complete and submit this form. Hendrick Goltzius Title The Farnesian Hercules, plate one from Three Famous Antique Sculptures Place Netherlands (Artist's nationality) Date 1587-1597 Medium Engraving on paper Dimensions Image: 39.8 29.3 cm (15 11/16 11 9/16 in. Membership Explore the Collections contains over a million catalogue records, and over half a million images. Goltzius translated to paper the plasticity of the muscular, marble body by drawing sweeping lines that rise and fall with his burin, creating volume by means of a lively play of light and shade. For more information, call (607) 2556464 or send an e-mail to museum@cornell.edu, Visit our Facebook page The Johnson Museum holds more than 40,000 works in its collection from around the world. The rediscovered statue quickly made its way into the collection of Cardinal Alessandro Farnese, grandson of Pope Paul III. Contact us here. Hercules is caught in a rare moment of repose. In the next century, while the difficult craft of engraving would still be practiced by professionals as a means of reproducing the artwork of others, the most talented artists would turn to the more easily mastered technique of etching. Alessandro Farnese was well placed to form one of the greatest collections of classical sculpture that had been assembled since antiquity. At the Palace of Versailles is a copy by Jean Cornu (168486). ca. Hercules Farnese, Hendrick Goltzius, 1617 engraving, h 419mm w 303mm More details. Born in Germany near the border of the Netherlands, Goltzius was burned in a fire as a child, an accident that permanently damaged his right hand. The Dutch artist Hendrik Goltzius (1558-1617) was an important draughtsman and the pre-eminent Northern engraver of his day. The National Gallery of Canada is home to one of the finest collections of Indigenous and Canadian art in the world, and is dedicated to amplifying voices through art. "Drawings and Prints: Selections from the Permanent Collection," May 6July 28, 1996. Painting was viewed by him and others at the time as the summit of achievement in the arts and much more prestigious than engraving. More details, yesterday - 286 works Admission to the the museum is always free. sheet: 16 9/16 x 11 15/16 in. Many engravings and woodcuts spread the fame of the Farnese's Hercules. Lost your password? The ancient Roman statue known as the Farnese Hercules had been discovered in the Baths of Caracalla in Rome in 1546, and installed in a courtyard of the Farnese family's palace on the banks of the Tiber, where it was one of the highlights of the Roman tour for visiting scholars, connoisseurs, and artists. Goltzius, a virtuoso printmaker, studied the sculpture during a sojourn in Rome in 1591 and later strove to convey the experience of viewing the breathtaking statue in this engraving. You can change your preferences or opt out of hearing from us at any time using the unsubscribe link in our emails. The Metropolitan Museum of Art. The sculpture was admired from the start, reservations about its exaggerated musculature only surfacing in the later eighteenth century. Does this record contain inaccurate information or language that you feel we should improve or change? Explore museums and play with Art Transfer, Pocket Galleries, Art Selfie, and more. The sharply defined quality of line engraving is produced with a tool called a burin, which consists of a steel rod with a sharpened point and bevelled edge. 1592 Engraving 16 1/4 x 11 5/8 in. The engraving by Goltzius, unusual for its viewpoint and its inclusion of observers, was one of a long series that had spread the fame of the statue, including one by Jacob Bos that provides the more common front view of the Hercules. We are committed to addressing these issues, and to review and update our records accordingly. Goltzius (1558-1617), was a German-born Dutch printmaker, draftsman, and painter. x 11 15/16 in .) Title: Farnese Hercules Artist: Hendrick Goltzius (Netherlandish, Mhlbracht 1558-1617 Haarlem) Date: ca. It was Goltzius' poor health as well as his desire to see the treasures of Rome that inspired him to travel to Italy in 159091. By 1562 the find was already included in the set of engravings for Speculum Romanae Magnificentiae ("Mirror of Rome's Magnificence") and connoisseurs, artists, and tourists gaped at the original, which stood in the courtyard of the Palazzo Farnese, protected under the arcade. Web Accessibility Assistance, 2023 Herbert F. Johnson Museum of Art, Cornell University. Gift of Henry Walters, 1917, Accession Number: Please take a moment to fill your information to create your account. Department of Drawings and Prints, The Metropolitan Museum of Art. A replica, titled Herakles in Ithaca, was erected in 1989 on the campus of Cornell University in Ithaca, NY. 'Goltzius worked in Haarlem from 1575 and around 1590--1 studied Renaissance and Ancient Roman art in Italy. Goltzius gained no less international recognition for his paintings influenced by Titian and Rubens. Farnese Hercules Hendrick Goltzius circa 1592 Museum Boijmans Van Beuningen Rotterdam, Netherlands Hendrick Goltzius reached his peak as a printmaker in the mid-1590s. Kim & Kris! Hercules was frequently associated with the Dutch in their rebellion against Spain, and one interpretation of his odd appearance is that he was meant as an embodiment of the Dutch nation. Farnese Hercules, Artist: It depicts a muscular, yet weary, Hercules leaning on his club, which has the skin of the Nemean lion draped over it. Seley created the sculpture in 1981 out of chrome automobile bumpers. Visit Twitter page Past, Students The prominently sited statue was well liked by the Ancient Romans, and copies have been found in Roman palaces and gymnasiums: another, coarser copy stood in the courtyard of Palazzo Farnese; one with the feigned (but probably ancient) inscription "Lykippos" has stood in the court of Palazzo Pitti, Florence, since the sixteenth century. (42.1 x 30.4 cm) Type: Print; . This Hercules is almost an inflated version of the lithe Apollo of a year earlier (51.501.3). Victoria and Albert Museum, London, 2022. The Farnese Hercules shows to excellent advantage the virtuosic technique that Goltzius had developed, in which the swelling and tapering line pioneered by Cornelis Cort is exaggerated to the point that it becomes a focus of interest in itself. Orenstein, Nadine. Reset it, Already have an account? He moved to Haarlem in 1577 and established his own print publishing business there around 1578. Public domain data for this object can also be accessed using the Met's Open Access API. Language links are at the top of the page across from the title. Hendrick Goltzius (Netherlandish, Mhlbracht 15581617 Haarlem), Date: In Scotland a rare copy in lead, from the first half of the eighteenth century, is sited incongruously in the central Highlands, overlooking the recently restored Hercules Garden in the grounds of Blair Castle. Glykon, whether working in Rome or Athens, is not otherwise known. Some of our records may contain offensive and discriminatory language, or reflect outdated ideas, practice and analysis. One of the most famous among these antiquities was the Farnese Hercules, a colossal marble sculpture of the mythological hero leaning upon his club. Admission for everyone is always free! Exhibition catalogue. The Farnese Hercules signed: G. ZOFFOLI. Goltzius had a deformed right hand, the result of injury from a fire when . Past, Upcoming This artwork is meant to be viewed from right to left. Already have an account? A collection of early modern and modern prints that demonstrates the range of techniques and print media, All Rights Reserved The young Rubens made quick sketches of the planes and massing of the statue of Hercules. Kids, Teachers Ithaca, NY 14853, Admission is free. This work represents, however, only a fraction of his entire oeuvre, which includes some 500 drawings and about 50 paintings, in addition to some 160 individual prints and series of prints that he and his workshop produced. HENDRICK GOLTZIUS (1558-1617) The Farnese Hercules engraving, 1592, on laid paper, watermark Fleur-de-Lys in Crowned Shield with pendant Letters WR (similar to Laurentius 434), a fine impression, with small margins, the lower left sheet corner outside the subject repaired and partially made up, two small repaired paper losses in the lower right margin, a few short tears and tiny nicks at the . The type was well known in antiquity, and among many other versions a Hellenistic or Roman bronze reduction, found at Foligno is in the Muse du Louvre. As the line winds around the forms, expanding and contracting, it gives great sculptural force to the curves and bulges of the hero's body. known: the Farnese Hercules , the Commodus Imperator and the Apollo Belvedere .6 Until the second half of this century Goltzius's stud-ies after the antique received little scholarly attention. His superb engravings were much sought-after in the young Dutch Republic and further afield. Europe A copy of the sculpture is among the ten statues adorning the front yard of the Schlossgarten in Karlsruhe, Germany. Hendrick Goltzius (15581617): Drawings, Prints and Paintings. Goltziuss engraving shows the victorious, virtuous hero of Greek mythology from behind so that we do not see the club in front of the rock, though we do espy the hide of the Nemean Lion and, in his right hand, the three apples of the Hesperides. Broken headless torso found in the bathhouse Roman & Byzantine village in the Jezreel valley. Upon his return from Italy, Goltzius concentrated on engraving a smaller number of showpieces. (42.1 x 30.4 cm), Dutch and Flemish Artists in Rome, 1500-1600, Prints and People: A Social History of Printed Pictures, How Prints Look: Photographs with a Commentary, The Dead Saviour and the Four Evangelists, Dissension in the Church (Dissidium in Ecclesia). [8] At Wilhelmshhe, near Kassel, a colossal version 8.5 m high produced by Johann Jacob Anthoni, 17131717, has become a symbol for the city. Central Europe (including Germany), 14001600 A.D. One of the most important engravers and print publishers of his time, he is most widely known today for the Mannerist engravings that he and his workshop produced during the period between 1585 and 1589. More than once, the sculpture was crated and made ready for shipment to Paris before the Napoleonic regime fled Naples. Born in Germany near the border of the Netherlands, Goltzius was burned in a fire as a child, an accident that permanently damaged his right hand. The monumental sculpture was unearthed in Rome in the 1540s, and quickly became one of the most famous and influential of all ancient sculptures. Van Mander was referring to Goltzius chameleon-like ability to create original works in the styles of earlier masters. Initiatives, Membership In the late 1580s, Goltzius was at the height of his success and created some of the most spectacular pieces in the history of prints, most notably The Feast of the Gods at the Marriage of Cupid and Psyche (2000.113), The Great Hercules (46.140.28), and the series The Four Disgracers (53.601.338[3]). Log in. The publication in 1961 of E. Reznicek's catalogue rai-sonn of Goltzius's drawings, and an article by H. Miedema in 1969, established a theory on the . Badly damaged late Hellenistic Parian marble. It stood for generations in its own room at Palazzo Farnese, Rome, where the statue was surrounded by frescoed depictions of the hero's mythical feats that were created by Annibale Carracci and his studio, executed in the 1590s. Please take a moment to fill your information and confirm your subscription. Special Event Rental, All #Engaged!? Other uses, including exhibition catalogue and display, broadcast, advertising, book jackets and commercial packaging, are covered by our commercial terms. Bronze statuette with silver-inlaid eyes of 4070 AD, This page was last edited on 14 March 2023, at 19:10. Greatest collections of classical sculpture that had been assembled since antiquity are often identified as Goltzius himself his. For this object can also be accessed using the Met 's Open Access API contact our Licensing team 15/16.... Last heroic age of engraving, Goltzius concentrated on engraving a smaller Number of showpieces is to. 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